Berapa kelas wacana Learning From The Master lainnya bisa diakses di bawah ini:
Learning From The Master – Y B Mangunwijaya
On 11 March 2017, at OMAH, 2 of our volunteers, Carla and Intan have shared their understandings about Romo Mangun in a Learning from the Master session. Romo Mangun, as an architect, poet, and Catholic priest, had published a lot of appreciable works. An extremely interesting discussion took place yesterday in the attempt in reading his architectural works and manifestos. Here are the conclusions: 1.Wastu Citra is derived from two words, wastu (guna/use) and citra (image). The term use refers to the level of skill or ability, while citra refers to the level of culture. A correct and true architecture…
Keep readingLearning From The Master – Alejandro Aravena
On last Saturday 18 March 2017 at OMAH, two of our volunteers, Fiera and Pandu have shared their understandings about Alejandro Aravena in a Learning from the Master session. He had been appointed Pritzker Prize 2016 and Director Currator for Venice Architecture Biennale 2016 . An interesting discussion took place in the attempt in reading his architectural works based on participatory. Here are the conclusions: Elemental shared the participatory design rules of Monroy Housing ; A. Communication of restrictionInstead of simply asking the families how they would like their homes to be, Elemental thought what was professionally responsible to do…
Keep readingLearning From The Master – Daniel Libeskind
Daniel Libeskind argues that an architectural space not only becomes a mere activity container, architecture is like a music that has composition and rhythm. Space should be part of the story, space should also be designed to speak using language. Documentary Daniel Libeskind: Welcome to XXI Century shows how the spaces in the Jewish Museum are pressing, watching, and gripping. In bringing up the spatial language, Daniel plays the scale and lighting system of the Void space, and makes use of the sound experience he has on the sound of the door of the room and the installation of Shalechet.…
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